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Meander is a space for documentation and experimentation within our website, a place to reflect on our projects and artists, as well as a way to explore intersections between those works, artists, and themes we study under our mission (Japanese experimental moving image works made in 1950s-1980s), and those that fall outside of our mission’s specific framework of timeframe, genres, and nationality.
Meander may take multiple forms including essays, introductions to artists and their work, online screening programs, or special digital projects. Offerings in Meander may suggest oblique angles from which to see CCJ’s mission-specific works, artists, histories, or practices.
今年の映像保存学会 Association of Moving Image Archivists (AMIA)カンファレンスはアメリカ・ペンシルベニア州のピッツバーグで行われました。このエントリーではカンファレンス参加者の前川充氏によるレポートをシェアさせて頂きました。各機関で行われているデジタル保存のケース・スタディー、著作権を乗り越えてアクセスを提供するストラテジー、デジタル・データのチェッキング・ツールなど映像保存に関る様々なセッションがありました。
Read MorePhoto summary of CCJ's 2016 Tokyo trip.
CCJ in 東京2016年のフォト・サマリー。
Read MoreIn May 2015, CCJ gathered representatives from 24 institutions dealing with moving image material.
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２０１５年１１月１８−２１日にアメリカオレゴン州、ポートランドで行われたAssociation of Moving Image Archivist (AMIA)のカンファレンス20日、金曜日のメモです。これはアメリカの映像保存学会のカンファレンスでの様子、今日のディスカッションなどを簡単に紹介するために公開します。個人のメモであり、発表者の直接なエントリーではありません。
This entry is notes from the Friday (11/20) sessions held at the Association of Moving Image Archivist Conference (AMIA), held in Portland on November 18-21, 2015. These notes are made available in order to introduce the types of discussions held by moving image archivist in the U.S., to those interested in Japan. These are notes taken by an audience member, and is not a direct entry made by the presenters of the conference.
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