Professor and curator Naoko Seki writes about Yukihisa Isobe and his recent practices.

An interview with the director of the Video Information Center (VIC) Ichiro Tezuka, conducted by Hitoshi Kubo and Yu Honma on the 21st December 2016 at VIC Kichijoji Grankiosk.

Hitoshi Kubo writes about Ko Nakajima.

Hitoshi Kubo writes about Ko Nakajima.

Antoine Haywood, PhD candidate at the University of Pennsylvania’s Annenberg School for Communication, on the CATV projects of collective Video Earth.

An excerpt from Keiji Uematsu’s 2016 interview with the Oral History Archives of Japanese Art.

Wakae Nakane, PhD candidate at University of Southern California, on women’s experimental filmmaking in 1990s Japan.

Art and media researcher, Shuhei Hosoya, writes on the challenges and roles the art archive, particularly those in regards to Zero Jigen (Zero Dimension) group and similarly anti-establishment, avant-garde collectives face.

Art and media researcher, Shuhei Hosoya, writes on the challenges and roles the art archive, particularly those in regards to Zero Jigen (Zero Dimension) group and similarly anti-establishment, avant-garde collectives face.

Researcher Shuhei Hosoya’s text on filmmaker Michio Okabe.

Scholar Nina Horisaki-Christens writes about Ko Nakajima’s ecological visions.

Scholar Hirofumi Sakamoto considers the multifaceted use of video in the Japanese moving image and art practices.

Scholar Hirofumi Sakamoto considers the multifaceted use of video in the Japanese moving image and art practices.

As part of the Japanese Expanded Cinema research, Go Hirasawa studied related footages that never made it into the Motoharu Jonouchi works “Document 6/15” and “Hi Red Center Shelter Plan.”