Please join us in the Winter Panel event for Interrogating Ecology project, with core group scholars Haeyun Park, Seoul National University; Tomotaro Kaneko, Aichi University of the Arts; Nina Horisaki-Christens, Columbia University; Franz Prichard, Princeton University; Julian Ross, Leiden University Centre for the Arts in Society (LUCAS); and contextual scholars Yuriko Furuhata, McGill University; Takashi Kadobayashi, Kansai University; and Takuya Tsunoda, Columbia University.

Image: Norio Imai, Pieces of Images - 64 Pieces, 1973-2014. Courtesy of Artcourt Gallery. © Norio Imai.

Organized in conjunction with the Interrogating Ecology: 1970s Media and Art in Japan Academic Panel (December 10th), this closed-door workshop includes presentations and a group discussion addressing the relationship between the exercise of re-staging time-based media works, and the field of research and curation.

Image: Installation view of Re: play 1972/2015 - Restaging “Expression in Film ’72”, 2015, at The National Museum of Modern Art, Tokyo. Photo: Keizo Kioku

Join us for a panel discussion on 1970s Media and Art in Japan with Dr. Haeyun Park, Seoul National University; Dr. Tomotaro Kaneko, Aichi University of the Arts; Nina Horisaki-Christens, Columbia University; Dr. Franz Prichard, Princeton University; and panel discussant, Dr. Michio Hayashi of Sophia University.

Image: National Border Tokara Archipelago : Deserting Islands” by Takuma Nakahira from the March 1977 issue of Asahi Camera © Gen Nakahira

Join us for a panel discussion on 1970s Media and Art in Japan with Dr. Haeyun Park, Seoul National University; Dr. Tomotaro Kaneko, Aichi University of the Arts; Nina Horisaki-Christens, Columbia University; Dr. Franz Prichard, Princeton University; and panel discussant, Dr. Michio Hayashi of Sophia University.

Image: National Border Tokara Archipelago : Deserting Islands” by Takuma Nakahira from the March 1977 issue of Asahi Camera © Gen Nakahira

Collaborative Cataloging Japan is pleased collaborate with Slought Foundation in presenting "To preserve film is to project it," a conversation about networked archiving and the preservation of Japanese experimental film, on Friday, February 3, 2017 from 6:30-8:30pm. The event will feature presentations by Alexander Zahlten and Go Hirasawa, and will begin with a series of screenings from 6:30-7pm of Motoharu Jonouchi's Gewaltpia Trailer (1969) and Adachi Masao's Galaxy (1967), as well as other digitized rare 8mm films.