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CCJが企画した展覧会「Community of Images」をを振り返るオンライン・トークが日本映像学会より開催されます。会員以外の方もご視聴いただけるので、ご興味のある方は参加希望フォームよりご連絡ください。
This December, we are delighted to present My father, burned (1994) a raw example of 1990s personal documentary from filmmaker and musician Haruka Doi, subtitled for the first time in English.
Curator and filmmaker Akihiro Suzuki will hold a virtual conversation after the screening of his film, Looking for an Angel (1999).
We are pleased to partner with Lightbox Film Center to screen Bye Bye Love in-person in Philadelphia. On November 19, curator and filmmaker Akihiro Suzuki will hold a virtual conversation after the screening of his film, Looking for an Angel (1999).
We are excited to partner with Tone Glow and Asian Arts Initiative to present the first North American run of DISTANT VOICES, the brand new feature film from Takashi Ito (b. 1956).
This November, we are delighted to present two works from contemporary filmmaker Hikaru Suzuki. God, Father and Me (2008) and Anrakuto (2011) are both experimental works that deal with unorthodox configurations of the family, and incorporate elements of documentary, retelling, and choreographed restaging.
This October, we are delighted to present the third episode in our three-part memorial screening in honour of Yōji Kuri (1928-2024), one of the founders of Japanese experimental animation. Curated by Fusako Matsu and in collaboration with the Kuri Experimental Manga Studio, our October program features Kuri’s interviews with contemporary artists.
This August, we are delighted to present the second episode in our three-part memorial screening in honour of Yōji Kuri (1928-2024), one of the founders of Japanese experimental animation. Curated by Fusako Matsu and in collaboration with the Kuri Experimental Manga Studio, our September program will focus on Kuri’s works for television.
This August, we are delighted to present the first episode in our three-part memorial screening in honour of Yōji Kuri (1928-2024), one of the founders of Japanese experimental animation. Curated by Fusako Matsu and in collaboration with the Kuri Experimental Manga Studio, our August program will focus on Kuri’s animations.
This July, we are thrilled to present a screening of two works directed by avant-garde artist Tamio Suenaga and shot by Naoya Kuroki. These documents of various performances and public demonstrations in the late 1960s are presented in partnership with Go Hirasawa and Shuhei Hosoya, as PADOCO (Postwar Art Documents Conservation Inc 戦後芸術資料保存).
This June, we are thrilled to present a screening of Kenji Aoike’s Nihon Gen’yasai Sanrizuka (1971) in partnership with Go Hirasawa and Shuhei Hosoya, as PADOCO (Postwar Arts Documents Conservation Inc 戦後芸術資料保存).
This May, we are thrilled to present four short works by contemporary filmmaker Kaori Oda.
From April 17 to May 5, we are grateful to be able to collaborate with Fusako Matsu to present a free mini-screening of the late Yōji Kuri’s iconic work Human Zoo.
This April, we are thrilled to present a rare look at the work of Kansai-based collective Voyant Cinémathèque (1983-1996) in a program curated by Hal Young.
This February and March we are delighted to present a two-part program on the filmmaker Isao Kota, in collaboration with Akihiro Suzuki and Underground Cinema Festival: the first online screening of these works for an international audience.
This February and March we are delighted to present a two-part program on the filmmaker Isao Kota, in collaboration with Akihiro Suzuki and Underground Cinema Festival: the first online screening of these works for an international audience.
Courtesy of the artist himself, this January we are thrilled to present three films by Masanori Ōe that were shown together as part of our summer 2024 Community of Images exhibition.
In collaboration with VTape, this December we are thrilled to present Kyoko Michishita’s Being Women in Japan: Liberation Within my Family, one of a pair of documentaries exploring the experiences of Japanese women in the 1970s.
