UPCOMING & NEWS
Media conservator at The Museum of Modern Art, Peter Oleksik offered insight into how an institution like MoMA handles production and exhibition of complex media art. He let us know the technical ends of their work from creating backup copies, how to procure obsolete equipment, updating technology, to consideration of digital presentation.
Artist and moving image archivist Andrew Lampert has been working through the challenges that face presentation and preservation of moving image works. In this interview, Lampert gave great feedback to our Expanded Cinema research team about various aspects of presenting and preserving complex media art: digital vs. analog, performance vs. installation, iterative life of works, presentation and archival material, and the importance of documentation.
Collaborative Cataloging Japan (CCJ) is an international, 501(c)3 non-profit organization dedicated to preserving, documenting, and disseminating the legacy of Japanese experimental moving image made in 1950s—1980s, in order to enable their appreciation by a wider audience. Without this effort, this unique sector of Japanese cultural heritage, which historically has been underrepresented and unsupported, would remain available to only a very few. Buried in artists’ studios or independent archives, many works are in danger of literal disappearance as film and video mediums continue to deteriorate. The scope of moving image focus includes: fine art on film and video, documentations of performance, independently produced documentaries, experimental animation, and experimental television. For more information, please visit: http://www.collabjapan.org/