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This June, we are delighted to present a screening of The Avant-Garde Senjutsu (Zen’ei senjutsu) by the late Katsu Kanai. A “super documentary” that follows Kanai’s experimentation with computer technology, its premise is Kanai’s attempt to master “senjutsu,” an ancient art that aimed to achieve immortality.
On May 6 at 18:15 at the Barbican, in collaboration with London’s Queer East Festival, we are delighted to announce an in-person program of three works by Mari Terashima! The program includes the premier of a new English translation of Her Majesty the Queen’s Polyester Dog (1994) by Mia Parnall and Wakae Nakane.
This May, we are delighted to present a screening of three works by legend of experimental cinema Kohei Ando — the classic My Collections (1988) along with two cine-poems after Shuji Terayama, The Summer I Was Four and Astronomy of Love.
This April, we are thrilled to present (S)mothering Myself: Feelings in Renting a Mother (2024), a two-channel video work by Maari Sugawara.
This March, we are delighted to be screening a newly translated work by Mari Terashima — Fortress of Dreams (Yume no toride, 1991).
This February, we are thrilled to present two newer works from legendary animator Yuko Asano!
This January, we are delighted to present three works from Shun Ikezoe, a contemporary filmmaker based in Tokyo.
This December, we are delighted to present My father, burned (1994) a raw example of 1990s personal documentary from filmmaker and musician Haruka Doi, subtitled for the first time in English.
